“But all you need to remember is that both Ripley and the cat survive.”
You know those books that grip you with a good story and refuse to let you do anything short of devour it? Few manage to truly and honestly marry me to their pages regardless of their literary merit or how well they’re written. Plague Town is one of those books, and not only is the prose good, but it’s seasoned with a dash of steamy romance and an excellent sense of originality and pacing. In other words, it survives the zombie apocalypse in style.
Plague Town, by Dana Fredsti (@zhadi1), is a zom-rom-com-dram (yeah, I totally just coined that). Translation? It’s a zombie romantic comedy/drama, and you’ll want to read it in as few sittings as possible. Seriously, this book pulled me in hard like a ravenous zombie.
Fredsti (as you’ll learn tomorrow, when I post a special interview with the author) is no stranger to zombie fiction or pop culture, and she infuses that knowledge into her story every step of the way. She has an enviable knack for precise and energetic writing, and she builds characters very well. So well, in fact, that Lily (one of the best in the book) became the little sister I never had. That’s how vividly I could imagine her character.
The author also knows sex—and it shows. The romantic involvement in the book does take a backseat to the zombie invasion, but when it’s pushed to the forefront, it’s not cheesy or tacky or embarrassing. It’s honest-to-goodness sex, and Fredsti writes it like a pro.
But back to the pop culture familiarity. Fredsti never skips a beat, constantly making fun references to actual horror lore through the eyes of her quirky main character, Ashley Parker (who is awesome, and not just because she’s a girl). The world knows about zombies the same way we do, and when the outbreak happens, this little detail spares the reader from the downtime of exposition—the kind that drags its feet as slowly as the zombies do.
(Fredsti even throws in a subtle nod to Max Brooks’ World War Z with the occasional mention of “zeds.”)
Because so much already exists as groundwork, the story is more believable and appreciable as an addition to the media’s ongoing fascination with zombies—from The Walking Dead on AMC and in comics to video games (Yakuza: Dead Souls is a recent goodie) and countless movies, etc. etc. Plague Town uses them all as a stepping stone to a greater telling because it acknowledges and at times incorporates their own contributions.
Plague Town unravels military secrets and pours on the blood, just like you’d expect. It also compensates for why some people (I can’t help but think Resident Evil here) can withstand zombie attacks without actually turning. The book answers mystery this with “wild cards”: humans like Ashley with an immunity to the zombie virus, giving them enhanced abilities and a better chance at survival after their resistance is activated by an otherwise deadly zombie bite. Of course, they’re still prone to death by mauling, but otherwise they can take all the nips and bloody goo that might come their way.
All while reading this, I thought how awesome it would be if Fredsti expanded the book into a series. Because I couldn’t get enough of it or her writing, and it’s not often that I’d commit to a sequel immediately after finishing a book. But guess what? Two more books, Plague Nation and Plague World, are forthcoming.
*Plague Town will be available starting April 3. Thanks to Titan Books for the advanced copy! Stay tuned tomorrow for my interview with author Dana Fredsti.