The world contains two types of creative writers.
While writing my current WIP, it’s occurred to me that people are either overwriters or underwriters — they either go crazy with the word count, or they struggle to hit their target. I’m an underwriter. I have about 40 chapters in my WIP, and my word count for my first draft was somewhere around 60,000. That’s not a whole lot for a novel, which means I’m knee-deep in some serious story, character, and world development.
Overwriters, on the other hand, have the challenge of whittling down their manuscripts into something with more shape and texture. There’s a lot of fat to trim. But how do you “fix” being an overwriter or an underwriter? How do you get your story in working order when what you put on the page is a mess?
I like to think of overwriters as sculptors. All writing is sculpting, in a way. You start with a block of a whole lotta nothing, and you carve it into a story. Overwriters spend a lot of time doing this. Even after their first draft is complete, they need to keep shaving off the edges. But if you’re an overwriter, don’t worry: You’re not going to chisel out a perfect story right away. Keep refining your manuscript here and there, in small measures, and eventually you’ll attain the dimension you want.
Underwriters are a little different — they’re more like painters, and painters work in layers. You might start with a manuscript that’s very bare, so you need to direct your focus toward fleshing out the details — every scene, character, and setting is going to take a lot more effort and thinking. Your second draft is the time to add color, tidy up the brushstrokes, and really make the whole picture pop. After a while, you’ll see that the measly sketch you started with has become a rich, complete work.
Are you an overwriter or an underwriter — a sculptor or a painter? How do you approach revisions?
Happy writing, and have a great New Year’s! See you in 2016.