Earlier this year, I expressed skepticism toward The She-Hulk Diaries and Rogue Touch — specifically, about authors scribbling down superhero adventures without the pretty pictures to match and, more importantly, with what seemed like a “romantic” spin (that turned out to be false).
I love comics, and removing their visual element would be like neutering them. The physical prowess of female superheroes, especially, is what grabs your attention; it’s the artist’s job to convey that. Then the writer steps in and uses that moment to communicate their emotional and mental strength as well. These three traits complement one another. I wondered if a novel could properly re-create that power. Since so much of a superhero’s identity is rooted in action and visuals — perhaps even more than words — would these characters even translate well into novel protagonists? Or would She-Hulk and Rogue become shallow versions of themselves?
The answer is different than what I expected — at least in She-Hulk’s case (I have yet to get around to Rogue). After reading Marta Acosta’s fun and very juicy The She-Hulk Diaries (out today), I decided that a) yes, superheroes have enough thoughts buzzing around in their heads to fill a novel but b) the whole superhero action thing is what comes across poorly.
Marta Acosta is frustrated. In our emails, she half-jokingly said that she was considering writing “I don’t write romance novels” at the top of her blog. I don’t blame her.
It’s an understatement to say the media overreacted to publishers Marvel and Hyperion’s announcement of a new line of prose novels, starting with The She-Hulk Diaries and Rogue Touch. They called it romance; it’s not. Others, like me, reacted to the overreaction and wondered whether this was the best way to portray these superheroines. The whole thing spun out of hand.
I wanted to share Marta’s story because she was caught in the middle. As a journalist, I want to stand up for those who have been treated unfairly or whose voice has been lost in a sea of others. As a blogger, I want to say that a lot of this was an honest misunderstanding — it’s hard to be a feminist (although it’s easy to be one in today’s world) and not overreact once in a while. But even mistakes like these can prompt discussion about bigger issues, like genre and the way we portray women in writing. Marta and I talked about the mishap from these angles and more.
Don’t forget to check out Marta’s guest blog post from yesterday.
Misprinted Pages: Marta, I’m mortified that the Internet has gotten She-Hulk so wrong. Fans fell for it; I fell for it. That’s why I feel so compelled to get the truth out there. Let’s start at the beginning, when Marvel and Hyperion had just made the announcement. What all happened that led to The She-Hulk Diaries and Rogue Touch getting mislabeled as romance novels?
Marta Acosta: Hi, Stephanie, and thanks for having me here to talk about my next book! My fantastic editor Elisabeth Dyssegaard made the announcement about the She-Hulk and Rogue novels. First off, it’s great to have an accomplished woman editor at the helm of these new Marvel projects. Some publications and some bloggers cherry-picked words either looking for a reaction or outrage. So “traditional women’s novels” was twisted as meaning novels in which a female character is weak and subjugated to men. All the positive points about the characters were ignored, and “romance” was presented as meaning a romance novel, which is a separate genre with its own genre conventions.
While I don’t write romance novels — defined as having a love interest as the central theme — I’m always a little stunned at the nasty disdain the genre receives. There are great and crappy novels in any genre you can name, including literary fiction, and I can’t help but think that romance is a target because it’s predominantly written by women for women and it celebrates their emotional life and sexuality.
I saw this release at Barnes and Noble recently and just fell in love with the cover. You’re (Not) the One was published in late 2011 by Alexandra Potter.
Description of the book as listed on Amazon.com:
Most women dream of finding the love of their life. Lucy just wants to lose him…
Venice, one of the world’s most romantic cities, lives by the legend of the bridge of sighs: When a woman kisses the man of her dreams under the bridge at sunset, she will be together with him forever. So eighteen-year-old Lucy seals her fate in the blush of first love with Nate.
Yet ten years later, the pair has completely lost contact-until the day Lucy arrives at Nate’s luxury Manhattan apartment with paintings he has purchased from the gallery where she is newly employed. The legend has reunited the couple, and Lucy is overjoyed-until the state of their union is misery.
Can destiny be undone? In the hands of the international bestselling author Alexandra Potter, You’re (Not) the One is a witty romance that turns on the power of a kiss.