“A civilian job?”
“Uh-huh, but one with a bit more color.”
As the office echoed with unpleasant laughter again, Frank suddenly realized that, if the stuffed piranha assumed human form, it would no doubt look like Lucky Luciano.
If the South won the Civil War … That’s the premise for the “Roaring Twenties” thriller The Jazz Cage. Author Ray Smith sent me an e-copy for review (sorry about the wait, Ray!) and told me, “Think of it as Uncle Tom’s Cabin meets The Untouchables.”
The description fits. On one hand, The Jazz Cage is about two runaway slaves trying to find freedom, but it’s got some booze, corruption, and gangster-style gunfighting, too. As I’ve said in previous posts, it’s not exactly a book I’d grab right off the shelf. History never wants to stick in my head, so I’m ashamed to say I wouldn’t know Famous General X from the guy who lives down the street. I’m a little fuzzy on battles and law, too. Smith’s book is peppered with dates, events, and names, and sometimes that information is distracting, like he wanted to cram as much in where he could — which isn’t necessary since the focus of the book is less on what would change if the South won the war and more about slavery and abolition.
Now, that’s coming from a reader who isn’t so concerned with accuracy or alternate histories. I’m sure if my best friend were here right now, she might have different comments to make, just like she did during Lincoln — Daniel Day-Lewis be damned. But when a book is set 60 years after the South won the Civil War — which didn’t happen — you expect its story to play out in a way you haven’t really seen before. The Jazz Cage basically follows two slaves who run away and the people who try to help or stop them.